"Pister" les images préhistoriques : un exemple saharien

/Graff, Gwenola; Mourey, J. M.

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dc.creator	/Graff, Gwenola
dc.creator	Mourey, J. M.
dc.date	2022
dc.date.accessioned	2022-10-14T18:38:24Z
dc.date.available	2022-10-14T18:38:24Z
dc.identifier	https://www.documentation.ird.fr/hor/fdi:010085959
dc.identifier	oai:ird.fr:fdi:010085959
dc.identifier	Graff Gwenola, Mourey J. M.. "Pister" les images préhistoriques : un exemple saharien. 2022, 126 (2), 103001 [12 p.]
dc.identifier.uri	https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/169885
dc.description	The chronological assignation of Laghchiwat's engravings, a new major rock art site in the south of Morocco, has not been established yet. In that purpose, we are wondering in an unprecedented way about the entanglement in local and prehistoric graphic productions in general. The capacity of reusing a same line by incorporating it into different forms constitutes a codified virtuosity and a complex intellectual exercise. We try to connect this approach with another kind of concrete clue decoding, the tracking, and with the interpretative ability which is required among human societies of hunter-gatherers. By comparing final Paleolithic images (rather predatory societies), which often use the plural reading of the line, to those of the Neolithic (rather productives societies), favorising its monosemia, we seek to highlight the cognitive skills which preside over this or that choice and thus, by extension, perhaps to catch a sight of the oldest iconographical phase of both site and region.
dc.language	FR
dc.subject	Rock art
dc.subject	Sahara
dc.subject	Scientific ecology
dc.subject	Intentionality
dc.subject	Entanglement
dc.subject	Tracking
dc.title	"Pister" les images préhistoriques : un exemple saharien
dc.type	text
dc.coverage	MAROC
dc.coverage	SAHARA