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| dc.creator | Moral Jiménez, María de la Villa | |
| dc.date | 2010-03-03 | |
| dc.date.accessioned | 2022-03-25T19:32:50Z | |
| dc.date.available | 2022-03-25T19:32:50Z | |
| dc.identifier | https://atheneadigital.net/article/view/n17-moral | |
| dc.identifier | 10.5565/rev/athenead/v0n17.633 | |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/130781 | |
| dc.description | The search and subsequent redefinition of the personal and social identity constitutes one of the main objectives of everyone individual, as well as the differentiation and dialectical relationship between the self and the others. Similar dynamic and multidetermined process has been influenced by the symbolic and socialized action of the property groups and of others legitimize for the purpose agencies (family, peer-groups, mass-media, etc.). Likewise, we proceed to the presentation of identity in the daily life, goffmanian way, in the social stage where it shows manifold roles, way of characters in scene with several scripts to perform. Actor's personal identity derives from a socialized identity constructed from and by social relationships. In this article, by a psychosociological analysis perspective and with a dramatic art approach, we resort to the "theatrum mundi" analysis with the purpose of exemplify those self theatrical (re)presentations in the social scene. | en-US |
| dc.description | La búsqueda y posterior redefinición de la identidad personal y social constituye uno de los objetivos prioritarios de todo individuo, así como la diferenciación y relación dialéctica entre el yo y la alteridad. Semejante proceso dinámico y multideterminado se ve influido por la acción del modelamiento simbólico y socializante de los grupos a los que se pertenece y de otras agencias legitimadas al efecto (familia, medios de comunicación, grupo de pares, etc.). Asimismo, se procede a la presentación del yo en la vida cotidiana, a modo goffmaniano, en el escenario social donde se representan múltiples roles, a modo de personajes en escena con diversos “guiones” por representar. La identidad personal de los actores deriva de una identidad socializada construida desde y por las relaciones sociales. En este artículo, desde una perspectiva de análisis psicosociológica y con un enfoque dramatúrgico, se recurre al concepto de theatrum mundi con objeto de ejemplificar semejantes (re)presentaciones teatrales del yo en la escena social.AbstractThe search and subsequent redefinition of the personal and social identity constitutes one of the main objectives of everyone individual, as well as the differentiation and dialectical relationship between the self and the others. Similar dynamic and multidetermined process has been influenced by the symbolic and socialized action of the property groups and of others legitimize for the purpose agencies (family, mass-media, peer-groups, etc.). Likewise, we proceed to the presentation of identity in the daily life, goffmanian way, in the social stage where it shows manifold roles, way of characters in scene with several scripts to perform. Actor’s personal identity derives from a socialized identity constructed from and by social relationships. In this article, by a psychosociological analysis perspective and with a dramatic art approach, we resort to the theatrum mundi analysis with the purpose of exemplify those self theatrical (re)presentations in the social scene. | es-ES |
| dc.format | application/pdf | |
| dc.language | spa | |
| dc.publisher | Departament de Psicologia Social. Universitat Autònoma de Barcelona | es-ES |
| dc.relation | https://atheneadigital.net/article/view/n17-moral/633-pdf-es | |
| dc.rights | Derechos de autor 2010 María de la Villa Moral Jiménez | es-ES |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | es-ES |
| dc.source | Athenea Digital. Revista de pensamiento e investigación social; Número 17, marzo 2010; 53-76 | ca-ES |
| dc.source | Athenea Digital. Revista de pensamiento e investigación social; Número 17, marzo 2010; 53-76 | en-US |
| dc.source | Athenea Digital. Revista de pensamiento e investigación social; Número 17, marzo 2010; 53-76 | es-ES |
| dc.source | Athenea Digital. Revista de pensamiento e investigación social; Número 17, marzo 2010; 53-76 | fr-CA |
| dc.source | Athenea Digital. Revista de pensamiento e investigación social; Número 17, marzo 2010; 53-76 | it-IT |
| dc.source | Athenea Digital. Revista de pensamiento e investigación social; Número 17, marzo 2010; 53-76 | pt-BR |
| dc.source | 1578-8946 | |
| dc.source | 2014-4539 | |
| dc.subject | Psychosocial identity | en-US |
| dc.subject | Dramatic art approach | en-US |
| dc.subject | Ortega y Gasset | en-US |
| dc.subject | Private/public self | en-US |
| dc.subject | Theatrum mundi | en-US |
| dc.subject | Identidad psicosocial | es-ES |
| dc.subject | enfoque dramatúrgico | es-ES |
| dc.subject | Ortega y Gasset | es-ES |
| dc.subject | yo privado/público | es-ES |
| dc.subject | theatrum mundi. | es-ES |
| dc.title | Psychosocial identity (re)presentation in the daily life (Theatrum Mundi) | en-US |
| dc.title | La (re)presentación de las identidades psicosociales en el teatro de la vida cotidiana (Theatrum Mundi) | es-ES |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed article | en-US |
| dc.type | Artículo revisado por pares | es-ES |
| dc.type | Enfoque Teórico. Perspectiva psicosocial sobre Identidad. Perspectiva de Goffman. | es-ES |
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