Repositorio Dspace

Importancia de las estrategias de práctica instrumental y vocal en la formación del músico profesional: revisión de literatura

Mostrar el registro sencillo del ítem

dc.contributor es-ES
dc.contributor en-US
dc.creator Capistrán Gracia, Raúl W.
dc.date 2017-02-21
dc.date.accessioned 2022-03-25T19:02:14Z
dc.date.available 2022-03-25T19:02:14Z
dc.identifier https://ojs.uv.es/index.php/LEEME/article/view/9871
dc.identifier 10.7203/LEEME.36.9871
dc.identifier.uri http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/128800
dc.description En las últimas décadas, se ha desarrollado una amplia investigación sobre las estrategias de práctica instrumental y vocal y su impacto en el logro y el crecimiento interpretativo del músico profesional. Algunos investigadores han destacado el importante papel de la práctica sostenida como un factor determinante en el desarrollo de habilidades, destrezas y conocimientos. Sin embargo, las investigaciones también revelan que el logro y el crecimiento en la interpretación musical no solo están relacionados con la cantidad de tiempo dedicado a la práctica de una obra, sino también con la efectividad de la misma. El presente artículo brinda un panorama de las investigaciones realizadas en torno a este importante tema y ofrece una reflexión sobre la responsabilidad que deben asumir instituciones, maestros y estudiantes en atender este vital aspecto de la formación del músico profesional. es-ES
dc.description In recent decades, extensive research on self-regulation and deliberate practice as well as effective practicing has been developed. Some researchers have highlighted the important role of sustained practice as a determining factor in the development of skills, abilities, and knowledge. However, research also shows that achievement and growth in musical performance is not only related to the amount of time devoted to practice, but to the effectiveness of practice. This article provides an overview of research conducted on these important issues and reflects on the responsibility of institutions, teachers, and students in addressing this aspect of professional music training. en-US
dc.format application/pdf
dc.language spa
dc.publisher Universitat de València es-ES
dc.relation https://ojs.uv.es/index.php/LEEME/article/view/9871/9290
dc.relation /*ref*/<div class="WordSection1"> <p style="text-align: justify;">Barry, N. (1990). <em>The effects of practice strategies, individual differences in cognitive styles, and sex upon technical accuracy and musicality of student instrumental performance </em>(Tesis Doctoral). Recuperado de ProQuest Dissertations Publishing. (Orden 9100056).</p> <p style="text-align: justify;">Barry, N. y McArthur, V. (1994). Teaching strategies in the music studio: a survey of applied music teachers. <em>Psychology of Music</em>, <em>22</em>, 44-45.</p> <p style="text-align: justify;">Bernstein, S. (1981). <em>With your own two hands</em>. New York: G. Schirmer, Inc.</p> <p style="text-align: justify;">Bonneville-Roussy, A. y Bouffard, T. (2014). When quantity is not enough: disentangling the roles of practice time, self-regulation and deliberate practice in musical achievement. <em>Psychology of Music</em>, <em>43</em>(5), 686&ndash;704.</p> <p style="text-align: justify;">Boucher, M., Dube, F. y Creech, A. (en prensa). The effect of video feedback on the self- assessment of a music performance by college level classical guitarists. In G. Hughes (Ed.), <em>Ipsative assessment and learning gains: case studies from international practitioners</em>. Basingstoke, Hampshire: Palgrave Macmillan.</p> </div> <p style="text-align: justify;">Bugos, J. A. y High, L. (2009). Perceived versus actual practice strategy used by older adult novice piano students. <em>Visions of Research in Music Education, 13. </em>1-26. Recuperado de <a href="http://www-usr.rider.edu/~vrme/">http://www-usr.rider.edu/~vrme/</a></p> <div class="WordSection2" style="text-align: justify;"> <p>Burwell, K. y Shipton, M. (2013). Strategic Approaches to practice: an action research project. <em>British Journal of Music Education</em>, <em>30</em>(03), 329-345.</p> <p>Capistr&aacute;n, R. W. (2014). La pr&aacute;ctica hace al maestro. <em>Docere</em>, <em>5</em>(10), 36-39.</p> <p>Da Costa, D. (1999). An investigation into instrumental pupils' attitudes to varied, structured practice: two methods of approach. <em>British Journal of Music Education</em>, <em>16</em>, 65-77.</p> <p>Duke R. A., Simmons, A. L. y Davis Cash, C. (2009). It's not how much; it's how; characteristics of practice behaviour and retention of performance skills. <em>Journal of Research in Music Education</em>, <em>56</em>(4), 310-321.</p> <p>Ericsson, K. A., Krampe, R. T. y Tesch-Romer. (1990). The role of practice and motivation in the acquisition of expert-level performance in real life. En M.J.A. Howe (Ed.), <em>Encouraging the development of exceptional skills and talents </em>(pp. 109-130)<em>. </em>Leicester: British Psychological Society Books.</p> <p>Ericsson, K. A., Krampe, R. T. y Tesch-Romer. (1993). The role of deliberate practice in the acquisition of expert performance. <em>Psychological Review</em>, <em>100</em>(3), 363-406.</p> <p>Gaunt, H. (2008). One-to-one tuition in a conservatoire: the perceptions of instrumental and voice teachers. <em>Psychology of Music</em>, <em>36</em>, 215-245.</p> <p>Hallam, S. (1995). Professional musician&rsquo;s approaches to the learning and interpretation of music. <em>Psychology of Music</em>, <em>23</em>, 111-128.</p> <p>Hallam, S. (1997). What do we know about practising? Towards a model synthesizing the research literature. En H. Jorgensen y A. C. Lehmann (Eds.), <em>Does Practise Make Perfect? Current Theory and Research on Instrumental Music Practice </em>(pp. 179-231). Oslo: Norges Musikkhogskole.</p> <p>Hallam, S. (2001). The development of meta- cognition in musicians: implications for education. <em>The British Journal of Music Education</em>, <em>18</em>(1), 27-39.</p> <p>Hallam, S., Rinta T., Varvarigou, M., Creech, A. Papageorgi, L., Gomes, T. y Lanipekun,</p> <p>J. (2012). The development of practising strategies in young people. <em>Psychology of Music</em>, <em>40</em>(5), 652-680.</p> <p>Jorgensen, H. (2000). Student learning in higher instrumental education: who is responsible? <em>British Journal of Music Education</em>, <em>17</em>(01), 67-77.</p> <p>Jorgensen, H. (2002). Instrumental performance expertise and amount of instrumental practice among students in a conservatoire. <em>Music Education Research</em>, <em>4</em>(1), 105-119.</p> </div> <p style="text-align: justify;">Jorgensen, H. (2004). Strategies for individual practice. En A. Williamon (Ed.), <em>Musical Excellence: Strategies and Techniques to Enhance Performance </em>(pp. 85-104). Oxford: Oxford University Press.</p> <div class="WordSection3" style="text-align: justify;"> <p>Kostka, M. J. (2002). Practice expectations and attitudes: a survey of college-level music teachers and students. <em>Journal of Research in Music Education</em>, <em>50</em>(2), 145-154.</p> <p>Koopman, C., Smith, N., de Vugt, A., Deneer, P. y den Ouden, J. (2007). Focus on practice-relationships between lessons on the primary instrument and individual practice in conservatoire education. <em>Music Education Research</em>, <em>9(</em>3), 373-397.</p> <p>Laukka, P. (2004). Instrumental music teachers&rsquo; views on expressivity: a report from music conservatoires. <em>Music Education Research, 6</em>(1), 45-56.</p> <p>McCormick, J. y McPherson G. (2003). The role of self-efficacy in a musical performance examination: an exploratory structural equation analysis. <em>Psychology of Music, 31</em>(1), 37- 51.</p> <p>McPherson, G. E. y Zimmerman, B. J. (2002). Self-regulation of musical learning: A social cognitive perspective. En R. Colwell y C. Richardson (Eds.), <em>The New Handbook of Research on Music Teaching and Learning: A Project of the Music Educators National Conference </em>(pp. 327-347). New York: Oxford University Press.</p> <p>McPherson, G. E. y McCormick, J. (2006). Self-efficacy and music performance<em>. Psychology of Music, 34</em>(3), 322-336<em>.</em></p> <p>Nielsen, S. (2001). Self-regulating learning strategies in instrumental music practice<em>. Music Education Research, 3(</em>2), 155-167.</p> <p>Pintrich, P. R. (2000). The role of goal orientation in self-regulated learning. En M. Boekaerts, P. Pintrich, y M. Zeidner (Eds.), <em>Handbook of Self-regulation, </em>R<em>esearch, and Applications </em>(pp. 451-502). Orlando, FL: Academic Press.</p> <p>Platz, F., Reinhard, K., Lehmann, A. y Wolf, A. (2014). The influence of deliberate practice on musical achievement: a meta-analysis. <em>Frontiers in Psychology</em>, <em>5</em>(646), 1-13.</p> <p>Ross, S. L. (1985). The effectiveness of mental practice in improving the performance of college trombonists. <em>Journal of Research in Music Education</em>, <em>33</em>(4), 221-230.</p> <p>Reybrouck, M. (2009). Musical imagery between sensory processing and ideomotor simulation. En R. I. Godoy y H. Jorgensen (Eds.), <em>Studies on New Musical Research: Musical Imagery </em>(pp. 117-136). New York: Taylor and Francis.</p> <p>Santana, E. L. (1978). <em>Time-efficient skill acquisition in instrumental music study</em>. (Tesis Doctoral). Recuperado de Dissertations Abstracts International. (Orden No. 7917079).</p> <p>Shapiro, S. L. y Schwartz, G. E. (2000). The role of intention in self-regulation toward intentional systematic mindfulness. En M. Boekaerts, P., Pintrich y M. Zeidner (Eds.),</p> </div> <p style="text-align: justify;"><em>Handbook of Self-regulation, Research, and Applications </em>(pp. 253-273).Orlando, FL: Academic Press.</p> <p style="text-align: justify;">Shockley, R. P. (1997). <em>Mapping Music: For Faster Learning and Secure Memory - A Guide for Piano Teachers and Students</em>. Middleton, Wisconsin: A-R Editions.</p> <p style="text-align: justify;">Sloboda, J. (1990). Musical excellence - How does it develop? En M. J. A. Howe (Ed.), <em>Encouraging the Development of Exceptional Skills and Talents </em>(pp. 165-178). Leicester: British Psychological Society Books.</p> <p style="text-align: justify;">Sloboda, J. A., Davidson, J. W., Howe, M. J. A. y Moore, D. G. (1996). The role of practice in the development of performing musicians. <em>British Journal of Psychology</em>, <em>87</em>, 287-309.</p> <p style="text-align: justify;">Sosniak, L. A. (1990). The tortoise, the hare and the development of talent. En M. J. A. Howe (ed.), <em>Encouraging the Development of Exceptional Skills and Talents </em>(pp. 149- 164). Leicester: British Psychological Society Books.</p> <p style="text-align: justify;">Williamon, A. y Valentine, E. (2000). Quantity and quality of musical practice as predictors of performance quality, <em>British Journal of Psychology, 91</em>, 353-376.</p> <p style="text-align: justify;">Young, V., K. Burwell y D. Pickup. (2003). Areas of study and teaching strategies in instrumental teaching: a case study research project. <em>Music Education Research</em>, <em>5</em>(2), 139-155.</p> <p style="text-align: justify;">Zimmerman, B. J. (1986). Becoming a self-regulated learner: which are the key subprocesses? <em>Contemporary Educational Psychology</em>, <em>11</em>, 307-313.</p> <p style="text-align: justify;">Zimmerman, B. J. (2008). Investigating self-regulation and motivation: historical background, methodological developments, and future prospects. <em>American Educational Research Journal</em>, <em>45</em>(1), 166 &ndash;183.</p>
dc.source Electronic Journal of Music in Education; Núm. 36 (2015): Revista Electrónica de LEEME; 17-30 en-US
dc.source Revista Electrónica de LEEME; Núm. 36 (2015): Revista Electrónica de LEEME; 17-30 es-ES
dc.source 1575-9563
dc.subject es-ES
dc.subject Estrategias de práctica; metacognición; práctica deliberada; autorregulación; práctica efectiva. es-ES
dc.subject en-US
dc.subject Practice Strategies; Metacognition; Deliberate Practice; Self-Regulation; Effective Practice. en-US
dc.title Importancia de las estrategias de práctica instrumental y vocal en la formación del músico profesional: revisión de literatura es-ES
dc.title Importance of Vocal and Instrumental Practice Strategies in the Training of Professional Musicians: a Review of the Literature en-US
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion
dc.type Artículo revisado por pares es-ES
dc.type es-ES
dc.type en-US


Ficheros en el ítem

Ficheros Tamaño Formato Ver

No hay ficheros asociados a este ítem.

Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem

Buscar en DSpace


Búsqueda avanzada

Listar

Mi cuenta