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| dc.contributor | es-ES | |
| dc.contributor | en-US | |
| dc.creator | González Quezada, Darleny | |
| dc.creator | Payri, Blas | |
| dc.date | 2017-02-22 | |
| dc.date.accessioned | 2022-03-25T19:02:12Z | |
| dc.date.available | 2022-03-25T19:02:12Z | |
| dc.identifier | https://ojs.uv.es/index.php/LEEME/article/view/9876 | |
| dc.identifier | 10.7203/LEEME.37.9876 | |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/128758 | |
| dc.description | Se estudia la influencia del tracto vocal en la técnica de la interpretación del clarinete. La literatura científica muestra que el tracto vocal puede controlar la afinación y el timbre, facilitando también ciertos ejercicios técnicos. Una serie de entrevistas a doce clarinetistas profesionales de diferentes escuelas y países, indican que el tracto vocal se adapta de manera intuitiva, pero que hay una necesidad de aprender a controlar el propio tracto vocal y de los puntos de bloqueo que se pueden generar en los diferentes registros del clarinete. Se propone controlar las configuraciones del tracto vocal utilizando vocales para cada registro: /a/ para chalumeau, /?/ para registro de garganta, /i/ para clarión, /?/ para altissimo, y la /o/ como vocal base. Para los intervalos grandes, se propone utilizar /?/-/i/ para intervalos ascendentes, /i/-/?/ para intervalos descendentes, independientemente del registro. La puesta en práctica concreta en el aula de clarinete del conservatorio de este método para ajustar el tracto vocal de manera consciente y sistemática, demuestra que desbloquea problemas técnicos y amplía las posibilidades interpretativas, especialmente para el clarinetista de nivel medio o avanzado con dificultades técnicas no resueltas. | es-ES |
| dc.description | We study the influence of the vocal tract in clarinet playing technique. Scientific literature shows that the vocal tract can control pitch and timbre, while also facilitating technical exercises. By interviewing twelve professional clarinetists from different schools and countries, we conclude that clarinetists adapt the vocal tract intuitively, but that it is necessary to learn to be conscious of the own vocal tract and of the blocking issues that may arise in the different registers of the clarinet. We propose controlling vocal tract configurations by using vowels for each register: /a/ for chalumeau, /?/ for throat register, /i/ for clarion, /?/ for altissimo, /o/ as a base vowel. For larger intervals, we propose a /?/-/i/ vowel change for ascending intervals, and /i/-/?/ for descending ones, regardless of the register. The actual practical application in the conservatory clarinet classroom of this method based on the conscious and systematic adjustment of the vocal tract has proved most efficient in unblocking technical issues and increasing the performance capabilities, especially for mid-level or advanced clarinetists with unresolved technical issues. | en-US |
| dc.format | application/pdf | |
| dc.language | spa | |
| dc.publisher | Universitat de València | es-ES |
| dc.relation | https://ojs.uv.es/index.php/LEEME/article/view/9876/9294 | |
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| dc.source | Electronic Journal of Music in Education; Núm. 37 (2016): Revista Electrónica de LEEME; 20-34 | en-US |
| dc.source | Revista Electrónica de LEEME; Núm. 37 (2016): Revista Electrónica de LEEME; 20-34 | es-ES |
| dc.source | 1575-9563 | |
| dc.subject | es-ES | |
| dc.subject | Clarinete; tracto vocal; vocales; pedagogía; afinación; registro. | es-ES |
| dc.subject | en-US | |
| dc.subject | Clarinet; Vocal Tract; Vowels; Pedagogy; Intonation; Register. | en-US |
| dc.title | La embocadura interior: configuraciones del tracto vocal en la pedagogía del clarinete | es-ES |
| dc.title | The inner embouchure: vocal tract configurations in clarinet pedagogy | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Artículo revisado por pares | es-ES |
| dc.type | es-ES | |
| dc.type | en-US |
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