Repositorio Dspace

Canto y desarrollo vocal

Mostrar el registro sencillo del ítem

dc.contributor es-ES
dc.contributor en-US
dc.creator Welch, G.
dc.date 2017-02-21
dc.date.accessioned 2022-03-25T19:01:56Z
dc.date.available 2022-03-25T19:01:56Z
dc.identifier https://ojs.uv.es/index.php/LEEME/article/view/9864
dc.identifier 10.7203/LEEME.34.9864
dc.identifier.uri http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/128626
dc.description La retroalimentación auditiva para la emisión de la voz propia se reduce cuando (1) otros cantantes están muy cerca (relación de uno mismo a otro), y (2) cuando hay cantantes cerca, cantando o intentando cantar los mismos sonidos (Ternstrom, 1994; Daugherty, 2000). Sin embargo, es probable que la competencia de canto se nutra a través de la exposición a frecuentes oportunidades para el juego vocal dentro de un entorno que fomente la exploración vocal y la imitación exacta (Young, 2002; Mang, 2003; Welch, 2005). es-ES
dc.description Auditory feedback for self-voice is reduced when (1) other singers are close (self-relation), and (2) when singers are around, singing or trying to sing the same sounds (Ternstrom, 1994 , Daugherty, 2000). However, singing competence is likely to be nurtured through exposure to frequent opportunities for vocal play within an environment that encourages vocal exploration and exact imitation (Young, 2002; Mang, 2003; Welch, 2005). en-US
dc.format application/pdf
dc.language spa
dc.publisher Universitat de València es-ES
dc.relation https://ojs.uv.es/index.php/LEEME/article/view/9864/9283
dc.relation /*ref*/<p style="text-align: justify;">Blacking, J. (1967). <em>Venda children's songs<strong>. </strong></em>Johannesburg: University of Witwatersrand Press.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Daugherty, J. F. (2000). Choir spacing and choral sound: Physical, pedagogical, and philosophical dimensions. In B.A. Roberts &amp; A. Rose (eds), <em>Conference Proceedings of the International Symposium, Sharing the Voices: The phenomenon of singing II (pp. </em>77-88). St. Johns, Newfoundland, Canada: Memorial University of Newfoundland Press.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Davidson, L. (1994). Songsinging by young and old: a developmental approach to music. In R. Aiello with J. Sloboda (eds), <em>Musical perceptions </em>(pp. 99-130). New York: Oxford University Press.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Davies, C. (1986). Say it till a song comes: reflections on songs invented by children 3-13.&nbsp;<em>British Journal of Music Education</em><strong>, </strong>3(3), 279-293.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Davies, C<strong>. </strong>(1992). Listen to my song: a study of songs invented by children aged 5 to 7 years.&nbsp;<em>British Journal of Music Education, </em>9(1), 19-48.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Davies, C. (1994). The listening teacher: An approach to the collection and study of invented songs of children aged 5 to 7. In H. Lees (ed.), <em>Musical connections: Tradition and change </em>(pp. 120-127). Auckland, NZ: International Society for Music Education.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Doubleday, V. &amp; Baily, J. (1995). Patterns of musical development among children in Afghanistan. In E. J. Fernea (ed.), <em>Children in the Muslim Middle East </em>(pp. 431 &mdash;444). Austin: University of Texas Press.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">King, R. <em>(2000). </em>An investigation into the effectiveness of a baseline assessment in singing and some influential home-environmental factors. <em>Unpublished master's dissertation, Roehampton Institute London, London.</em></p> <p style="text-align: justify;"><em>&nbsp;</em></p> <p style="text-align: justify;">Mang, E. (2003). Singing competency of monolingual and bilingual children in Hong Kong. In L. C. R. Yip, C. C. Leung, &amp; W. T. Lau (eds), <em>Curriculum Innovation in Music </em>(pp. 237-242). Hong Kong: Hong Kong Institute of Education.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Messinger, J. (1958). Overseas report. <em>Basic College Quarterly, </em>Fall, 20-24.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Peretz, I. &amp; Coltheart, M. (2003). Modularity and music processing. <em>Nature Neuroscience, </em>6(7), 688-691.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Rutkowski, J. (1997). The nature of children's singing voices: Characteristics and assessment. In B. A. Roberts (ed.), <em>The Phenomenon of Singing </em>(pp. 201-209). St John's, NF: Memorial University Press.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Sergeant, D. C., Sjolander, P., &amp; Welch, G. F<strong>. </strong>(2005). Listeners' identification of gender differences in children's singing. <em>Research Studies in Music Education<strong>, </strong></em>25, 28-39.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Stathopoulos, E. T. (2000). A review of the development of the child voice: an anatomical and functional perspective. In P. J. White (ed.), <em>Child Voice </em>(pp. 1-12). Stockholm: Royal Institute of Technology, Voice Research Centre.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Ternstrom, S. (1994). Hearing myself with others: Sound levels in choral performance measured with separation of one's own voice from the rest of the choir<strong>. </strong><em>Journal of Voice<strong>, </strong></em>8(4), 293-302.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Welch, G. F. (1979). Poor pitch singing: A review of the literature. <em>Psychology of Music<strong>, </strong></em>7, 50- 58.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Welch, G. F. (1998). Early childhood musical development. <em>Research Studies in Music Education<strong>, </strong></em>11, 27-41</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Welch, G. F. (2000). The developing voice. In L. Thurman &amp;. G. F. Welch (eds), <em>Bodymind and voice: Foundations of voice education </em>(pp. 704-717). IA: National Center for Voice and Speech.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Welch, G. F. (2004). Developing young professional singers in UK cathedrals. <em>Proceedings, 2nd International Physiology and Acoustics of Singing Conference, Denver, USA. </em>Retrieved 3 June, 2005 from: <a href="http://www.ncvs.org/pas/2004/pres/welch/welch.htm">http://www.ncvs.org/pas/2004/pres/welch/welch.htm</a></p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Welch, G. F. (2005). Singing as communication. In D. Miell, R. MacDonald &amp; D. J. Hargreaves (eds), <em>Musical communication<strong>, </strong></em>(pp.239-259). New York: Oxford University Press.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Welch, G. F. &amp; Elsley, J. (1999). Baseline assessment in singing. <em>Australian Voice<strong>, </strong></em>5,60-66.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Welch, G. F. &amp; Howard, D. (2002). Gendered voice in the cathedral choir. <em>Psychology of Music,&nbsp;</em>30, 102-120.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Young, S. (2002). Young children's spontaneous vocalizations in free play: Observations of two- to three year olds in a day care setting. <em>Bulletin of the Council for Research in Music Education, </em>152, 43-53.</p>
dc.source Electronic Journal of Music in Education; Núm. 34 (2014): Revista Electrónica de LEEME; 74-79 en-US
dc.source Revista Electrónica de LEEME; Núm. 34 (2014): Revista Electrónica de LEEME; 74-79 es-ES
dc.source 1575-9563
dc.subject es-ES
dc.subject Canto; retroalimentación auditiva; coros. es-ES
dc.subject en-US
dc.subject Singing; Auditory Feedback; Choirs. en-US
dc.title Canto y desarrollo vocal es-ES
dc.title Singing and vocal development en-US
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion
dc.type Difusión de publicaciones es-ES
dc.type es-ES
dc.type en-US


Ficheros en el ítem

Ficheros Tamaño Formato Ver

No hay ficheros asociados a este ítem.

Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem

Buscar en DSpace


Búsqueda avanzada

Listar

Mi cuenta