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-From the "mass general strike" to the "furious cow strike".-
-From the creator to the creature: the discursive unfolding in Fazendo Ana Paz and Retratos de Carolina by Lygia Bojunga-
-From the crisis of representation to the reconsideration of mímesis: refractions of brazilian dictatorship in Zero and A festa-
-From the critique of populism to public life – considerations about the intellectual trajectory of Francisco Weffort-
-From the damsel in distress to the female hero: the wanderings of Christine Daaé in Gaston Leroux’s The Phantom Of The Opera and its last film adaptation-
-From the empire to the republic: the influence of Joseph de Maistre’s ultramontanism on Brazilian catholic conservative thought-
-From the Folio to the Bibliofolie: the book’s world in some Jacques Prévert’s poems-
-From the ideal to the concrete: An analysis of Anísio Teixeira’s school space considering his pedagogy-
-From the intersemiotic translation to the intercultural adaptation theory: state of the art and future perspectives-
-From the Middle Ages to the Modern Age: an overview of social history and education of children-
-From the modernist canon to de anthropological conception of culture: The concept of “culture” in the cultural policies of Lula administration (2003-2011)-
-From the moon to Paris: French sciencefiction in 20th-century Brazil-
-From the nose to the mustache: One, None and One Hundred Thousand by Luigi Pirandello and The Mustache by Emmanuel Carrère: a dialogue-
-From the point of view of the forest: An interview with Lúcia Sá-
-From the post-hegemony crisis to the impact of Covid-19.: The impass of Latin American regionalism-
-From the theatre to the comet: contributions of the magazine L’Illustration to the ethics and aesthetics of O Retrato-
-From the “coronel’s” clientelism to the State’s clientelism: the rise of immigrants in the politics of São Paulo state’s inland-
-From the “funcionalist revolution” up to new anthropological synthesis-
-From university ranking to elections: How algorithms are changing our lives-
-From verbal to visual: strategies of enunciation in two narratives of horror-