Actor-Subjects, their Voice, and their Relationship with the Mother Figure

Rasslan, Simone Nogueira; Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Rosa Maria Bueno

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dc.creator	Rasslan, Simone Nogueira
dc.creator	Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brazil), Rosa Maria Bueno
dc.date	2015-11-02
dc.date.accessioned	2022-04-04T18:14:15Z
dc.date.available	2022-04-04T18:14:15Z
dc.identifier	https://seer.ufrgs.br/index.php/presenca/article/view/59705
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/165861
dc.description	This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians.	en-US
dc.description	This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians.	fr-CA
dc.description	This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians.	pt-BR
dc.language	eng
dc.publisher	Brazilian Journal on Presence Studies	en-US
dc.publisher	Révue Brésilienne d'Études de la Présence	fr-CA
dc.publisher	Révue Brésilienne d'Études de la Présence	fr-FR
dc.publisher	Revista Brasileira de Estudos da Presença	pt-BR
dc.relation	https://seer.ufrgs.br/index.php/presenca/article/view/59705/50471
dc.source	Brazilian Journal on Presence Studies; Vol. 6 No. 1 (2016): jan./abr. 2016; 47-70	en-US
dc.source	Révue Brésilienne d'Études de la Présence; Vol. 6 No. 1 (2016): jan./abr. 2016; 47-70	fr-CA
dc.source	Révue Brésilienne d'Études de la Présence; Vol. 6 No 1 (2016): jan./ abr. 2016; 47-70	fr-FR
dc.source	Revista Brasileira de Estudos da Presença; v. 6 n. 1 (2016): jan./abr. 2016; 47-70	pt-BR
dc.source	2237-2660
dc.subject	Voice	en-US
dc.subject	Mother	en-US
dc.subject	Theater	en-US
dc.subject	Narratives of the Self	en-US
dc.subject	Foucault	en-US
dc.subject	Voice	fr-CA
dc.subject	Mother	fr-CA
dc.subject	Theater	fr-CA
dc.subject	Narratives of the Self	fr-CA
dc.subject	Foucault	fr-CA
dc.subject	Voice	pt-BR
dc.subject	Mother	pt-BR
dc.subject	Theater	pt-BR
dc.subject	Narratives of the Self	pt-BR
dc.subject	Foucault	pt-BR
dc.title	Actor-Subjects, their Voice, and their Relationship with the Mother Figure	en-US
dc.title	Actor-Subjects, their Voice, and their Relationship with the Mother Figure	fr-CA
dc.title	Actor-Subjects, their Voice, and their Relationship with the Mother Figure	pt-BR
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion