Understanding how art museum visitors positively connect with artworks

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Campo DC	Valor	Lengua/Idioma
dc.creator	Anne-Marie Émond	-
dc.date	2006	-
dc.date.accessioned	2022-03-22T19:23:22Z	-
dc.date.available	2022-03-22T19:23:22Z	-
dc.identifier	http://www.redalyc.org/articulo.oa?id=34004602	-
dc.identifier.uri	http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/99201	-
dc.description	This paper deals with the concept of consonance as it applies to the aesthetic experience of adults who visit a Fine Arts museum. Generally, when describing a visitor's reaction to art, we do not talk in terms of conflict or harmony, but adopt the expression 'aesthetic experience'. Much research has been conducted to describe aesthetic experience, for example, the research undertaken by Csikszentmihalyi and Robinson, 1990; Guillot, 2001; Housen, 1983). We are aware of the complexity of the term and the scope of its meaning in philosophy.	-
dc.format	application/pdf	-
dc.language	en	-
dc.publisher	Universidad Autónoma Metropolitana Unidad Xochimilco	-
dc.relation	http://www.redalyc.org/revista.oa?id=340	-
dc.rights	REencuentro. Análisis de Problemas Universitarios	-
dc.source	REencuentro. Análisis de Problemas Universitarios (México) Num.46	-
dc.subject	Educación	-
dc.subject	Fine Arts museum Aesthetic	-
dc.title	Understanding how art museum visitors positively connect with artworks	-
dc.type	artículo científico	-
Aparece en las colecciones:	División de Ciencias Sociales y Humanidades - DCSH/UAM-X - Cosecha

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