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dc.creatorMoutinho, Mário Canova-
dc.date2009-06-13-
dc.date.accessioned2022-03-17T17:46:07Z-
dc.date.available2022-03-17T17:46:07Z-
dc.identifierhttps://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245-
dc.identifier.urihttp://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/48437-
dc.description"Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise." (1)pt-PT
dc.formatapplication/pdf-
dc.languagepor-
dc.publisherEdições Universitárias Lusófonaspt-PT
dc.relationhttps://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245/154-
dc.sourceCadernos de Sociomuseologia; Vol. 4 No. 4 (1994): The construction of the museological objecten-US
dc.sourceCadernos de Sociomuseologia; v. 4 n. 4 (1994): The construction of the museological objectpt-PT
dc.source1646-3714-
dc.source1646-3706-
dc.titleTHE CONSTRUCTION OF THE MUSEOLOGICAL OBJECTpt-PT
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
Aparece en las colecciones: Centro de Estudos Interdisciplinares em Educação e Desenvolvimento da Universidade Lusófona de Humanidades e Tecnologia - CeiED/ULHT - Cosecha

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