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Título :	"Pister" les images préhistoriques : un exemple saharien
Palabras clave :	Rock art;Sahara;Scientific ecology;Intentionality;Entanglement;Tracking
Descripción :	The chronological assignation of Laghchiwat's engravings, a new major rock art site in the south of Morocco, has not been established yet. In that purpose, we are wondering in an unprecedented way about the entanglement in local and prehistoric graphic productions in general. The capacity of reusing a same line by incorporating it into different forms constitutes a codified virtuosity and a complex intellectual exercise. We try to connect this approach with another kind of concrete clue decoding, the tracking, and with the interpretative ability which is required among human societies of hunter-gatherers. By comparing final Paleolithic images (rather predatory societies), which often use the plural reading of the line, to those of the Neolithic (rather productives societies), favorising its monosemia, we seek to highlight the cognitive skills which preside over this or that choice and thus, by extension, perhaps to catch a sight of the oldest iconographical phase of both site and region.
URI :	https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/169885
Otros identificadores :	https://www.documentation.ird.fr/hor/fdi:010085959 oai:ird.fr:fdi:010085959 Graff Gwenola, Mourey J. M.. "Pister" les images préhistoriques : un exemple saharien. 2022, 126 (2), 103001 [12 p.]
Aparece en las colecciones:	Institut de Recherche pour le Développement - IRD - Cosecha

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