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https://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/155377Registro completo de metadatos
| Campo DC | Valor | Lengua/Idioma |
|---|---|---|
| dc.creator | Aguirre Navarrete, Juan | - |
| dc.date | 2020-08-05 | - |
| dc.date.accessioned | 2022-03-29T18:53:53Z | - |
| dc.date.available | 2022-03-29T18:53:53Z | - |
| dc.identifier | http://www.revistarfjpuce.edu.ec/index.php/rfj/article/view/296 | - |
| dc.identifier | 10.26807/rfj.v2i8.296 | - |
| dc.identifier.uri | http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/155377 | - |
| dc.description | ABSTRACT: Inside the panorama of the music industry have been generated by several legal relationships. Generally, the artist is only concerned with expressing his ideas through songs, based on deep feelings or experiences that have marked him, but he does not realize that he is in a very complicated legal relationship when privatizing his creations. Many artists throughout their careers legal issues related to the use of copyrights in their discography; a very recent case is that of the famous artist Taylor Swift where the problem lies in the snatching of their copyright author. This miscellaneous article focuses on identifying the regulations with which the Ecuadorian government protects intellectual property rights in the Ecuadorian music industry in the current digital era. As a final result, we state that Ecuadorian legislation has an optimal regulation that encourages the operation of the intellectual property regime in Ecuador. However, artists do not choose to enter this industry due to the low performance it has in our country. KEYWORDS: Digitization, recording industry, music, copyright, intellectual property JEL CODE: O34 | en-US |
| dc.description | ABSTRACT: Inside the panorama of the music industry have been generated by several legal relationships. Generally, the artist is only concerned with expressing his ideas through songs, based on deep feelings or experiences that have marked him, but he does not realize that he is in a very complicated legal relationship when privatizing his creations. Many artists throughout their careers legal issues related to the use of copyrights in their discography; a very recent case is that of the famous artist Taylor Swift where the problem lies in the snatching of their copyright author. This miscellaneous article focuses on identifying the regulations with which the Ecuadorian government protects intellectual property rights in the Ecuadorian music industry in the current digital era. As a final result, we state that Ecuadorian legislation has an optimal regulation that encourages the operation of the intellectual property regime in Ecuador. However, artists do not choose to enter this industry due to the low performance it has in our country. KEYWORDS: Digitization, recording industry, music, copyright, intellectual property RESUMEN: Dentro del panorama de la industria musical, se ha generado un sin número de relaciones jurídicas. Generalmente, el artista solo se preocupa por expresar sus ideas a través de canciones, basándose en sentimientos profundos o experiencias que lo han marcado, pero no se percata de que se encuentra en una relación legal muy compleja al momento de privatizar sus creaciones. Muchos artistas a lo largo de su carrera se han visto envueltos en diversos problemas sobre el uso de derechos de autor en su discografía, un caso muy reciente es el de la famosa artista Taylor Swift en donde el problema radica en el arrebato de sus derechos de autor. Este artículo se enfoca en identificar las regulaciones con las que el estado ecuatoriano protege los derechos de propiedad intelectual en la industria musical ecuatoriana, que se desarrollan en el entorno digital. Como producto de esta investigación se puede deducir que la legislación ecuatoriana cuenta con una regulación optima que incentiva el funcionamiento del régimen de propiedad intelectual en el Ecuador, sin embargo, los artistas no optan por introducirse a esta industria por el bajo rendimiento que esta tiene en nuestro país. JEL CODE / CLASIFICACIÓN JEL: O34 | es-ES |
| dc.format | application/pdf | - |
| dc.language | spa | - |
| dc.publisher | Pontificia Universidad Católica del Ecuador - PUCE: Centro de Publicaciones y Dirección de Investigación | es-ES |
| dc.relation | http://www.revistarfjpuce.edu.ec/index.php/rfj/article/view/296/176 | - |
| dc.rights | Derechos de autor 2020 Revista de la Facultad de Jurisprudencia RFJ | es-ES |
| dc.source | Revista Facultad de Jurisprudencia ´(Journal Faculty of Jurisprudence); No. 8: (Vol. II Special Intellectual Property) Journal Faculty of Jurisprudence; 249-267 | en-US |
| dc.source | Revista Facultad de Jurisprudencia ; Núm. 8: (Vol. II Especial Propiedad Intelectual) Revista Facultad de Jurisprudencia; 249-267 | es-ES |
| dc.source | Revista Facultad de Jurisprudencia; No. 8: (Vol. II Spécial Propriété Intellectuelle) Revue Faculté de Jurisprudence; 249-267 | fr-FR |
| dc.source | Revista Facultad de Jurisprudencia; No. 8: (Vol. II Proprietà Intellettuale Speciale) Rivistà Facoltà di Giurisprudenza; 249-267 | it-IT |
| dc.source | Revista Facultad de Jurisprudencia ; No. 8: (Vol. II Propriedade Intelectual Especial) Revista Faculdade de Jurisprudência; 249-267 | pt-BR |
| dc.source | 2588-0837 | - |
| dc.source | 10.26807/rfj.v2i8 | - |
| dc.subject | Tecnología digital | en-US |
| dc.subject | industria musical | en-US |
| dc.subject | música | en-US |
| dc.subject | industria discográfica | en-US |
| dc.subject | derechos de autor | en-US |
| dc.subject | propiedad intelectual | en-US |
| dc.subject | Digital technology | es-ES |
| dc.subject | music industry | es-ES |
| dc.subject | music | es-ES |
| dc.subject | record industry | es-ES |
| dc.subject | copyright | es-ES |
| dc.subject | intellectual property | es-ES |
| dc.title | Intellectual property rights in the Ecuadorian music industry: Digital media | en-US |
| dc.title | Derechos de propiedad intelectual en la industria musical ecuatoriana: Medios digitales | es-ES |
| dc.title | Droits de propriété intellectuelle dans l'industrie de la musique équatorienne: médias numériques | fr-FR |
| dc.title | Diritti di proprietà intellettuale nell'industria musicale ecuadoriana: media digitali | it-IT |
| dc.title | Direitos de propriedade intelectual na indústria musical equatoriana: mídia digital | pt-BR |
| dc.type | info:eu-repo/semantics/article | - |
| dc.type | info:eu-repo/semantics/publishedVersion | - |
| Aparece en las colecciones: | Facultad de Ciencias Humanas, Pontificia Universidad Católica del Ecuador - FCH-PUCE - Cosecha | |
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